acoustic ecology

Ep. 6: Data Streams (Leah Barclay and Teresa Barrozo)

On July 18th this year, Teresa Barrozo‘s question — What might the Future sound like? — will be opened to global participation. We bring news of World Listening Day, and speak with Teresa about her intervention.

We also hear of data archival developments in acoustic ecology. And we speak with Leah Barclay, the editor of Soundscape: The Journal of Acoustic Ecology, about her Biosphere Soundscapes project and some of the challenges of developing accessible apps for mobile platforms.

Cris grapples inadequately with the terminology of the anthropophone, the biophone and the geophone in his everyday life.

The audio work heard in this episode can be found on the Soundclouds of Leah Barclay and Teresa Barrozo.

Ep. 4: On listening In (Lawrence English)

Lawrence English is an influential sound composer, media artist and curator based in Australia. In this episode of Phantom Power: Sounds about Sound we speak with Lawrence about listening. In particular we think about his reworking of an important work in the fields of musique concrète and field recordingPresque Rien by Luc Ferrari, and the recent premiere of Wave Fields, his own 12-hour durational sound installation for sleepers at Burleigh Heads in Queensland as part of the Bleach* Festival.

Lawrence is interested in the nature of listening and the capability of sound to occupy a body. Working across an eclectic array of aesthetic investigations, English’s work prompts questions of field, perception and memory. He investigates the politics of relation listening and perception, through live performance, field recordings and installation.

The show includes extracts from the following tracks:

Album: Cruel Optimism: Hammering a Screw.”

Album: Wilderness of Mirrors: Wilderness of Mirrors,” “Wrapped in Skin.”

Album: Songs of the Living: Trigona Carbonaria Hive Invasion, Brisbane Australia,” “Cormorants Flocking At Dusk Amazon Brazil,” “Various Chiroptera Samford Australia.”

Album: Ghost Towns: Ghost Towns.

Album: Kiri No Oto: Soft Fuse.”

Luc Ferrari: Presque Rien

Ep. 3: Dirty Rat (Brian House)

This time we talk with a fascinating sound artist and composer Mack met at a recent meeting of the Society for Literature, Science, and the Arts. As his website puts it, Brian House is an artist who explores the interdependent rhythms of the body, technology, and the environment. His background in both computer science and noise music informs his research-based practice. Recent interests include AI, telegraphy, and urban rats.” If that description looks a little daunting on the screen, the work itself sounds really cool to cris and Mack. We’ll listen to three pieces of Brian’s: a composition that imprints motion-tracking data on collectible vinyl, a field recording from the Okavango Delta in Botswana, and an encounter with the wildlife that put the “burrows” in New York’s five boroughs.

Links to works discussed: Quotidian Record (2012), Urban Intonation (2017).

Mack notes that it was incredible to edit this episode using Daniel Fishkin’s daxophone arrangement of John Cage’s “Ryoanji” (1983).

The other music on today’s episode is by Brian House and Graeme Gibson.